Tagged: Huffington Post

NWO Owned Mass Media Tries to Ignore 3.16 Tea Party Protests in DC [Should We Be Surprised?]

3.16.2010 By Chase K. Hunter….. Covering the “Coverage” – Tedious.

Nancy Pelosi, regarding Obamacare: “It’s more insider and process-oriented than most people want to know.” Rally Nancy? We know all about just how “insider oriented” it is. You are liable and accountable for trying to cram this Obamacare bill down America’s throats. We won’t forget. [November 2010]

I’d like to thank The Huffington Post for having the courage, [ balls, ovaries, hutzpa, spunk] to cover today’s Code RED 3.16.10 Washington D.C. Tea Party Protest. I can at least say there is one news outlet in America that seems to care enough to make an effort to track the maneuvering and posturing, and to follow the MSM’s ineptitude in covering anything about what is actually happening at this stage of the process, as opposed to what the presume is happening. The Huff Post coverage seems bent toward favoring the bill, but at least it is coverage.

See http://huffingtonpost.com’s front page for 3.16.2010

Just locating ANY news coverage about today’s DC Tea party protest  has been an exercise in REALITY checking how “state controlled” our mass media outlets have now become.

It’s frightening. Once again, it seemed that a prior directive had been “issued” to ignore the DC tea party march. But thanks to the good folks who run patriot related and alternative news blogs, and the other sharp citizen journalists who attended and were quick to post their videos, I have some info to share about today’s events in DC. I regret that for health reasons I could not attend.

So here are some of the latest videos, and some noteworthy re-posts from the few mainstream news sources which apparently still give a damn whether or not we are subject to socialized medicine in the USA against our wills. I’m worried, very worried about my country.

– Chase

Noteworthy coverage from the Huff Post:

Another day in the health care reform debate brings with it another battle over parliamentary procedure, and another example of the media struggling to get some basic facts right. Today, the battle is joined over deeming resolutions, the process by which House Democrats may finally overcome hurdles and worries to get the process of passing reform moving forward.

The GOP has advanced the idea that the “deem and pass” process — also known as “The Slaughter Rule” because the idea was suggested by Representative Louise Slaughter (D-N.Y.) — is tantamount to passing health care reform without voting on it. The media has largely accepted, or at least lent credence to this premise. But does that sound right to you, Marc Ambinder?

..that’s wrong. House Democrats aren’t doing that.
In fact, they ARE taking an up or down vote on the Senate health care bill. They’re just doing it AT THE SAME TIME as they’re passing the reconciliation language, which countermands several controversial provisions.

Here’s what’s going on. The House is stuck having to basically pass the Senate health care bill, because the bill cannot be reconciled in conference committee. Why? Because it will be filibustered. However, House members are averse to doing anything that looks like they approve of the various side-deals that were made in the Senate — like the so-called “Cornhusker Kickback.” The House intends to remove those unpopular features in budget reconciliation, but if they pursue budget reconciliation on a standard legislative timeline — where they pass the Senate bill outright first and then go back to pass a reconciliation package of fixes — they’d still appear to be endorsing the sketchy side deals, and then the GOP would jump up and down on their heads.

Enter “deem and pass.” Under this process, the House will simply skip to approving the reconciliation fixes, and “deem” the Senate bill to be passed. By doing it this way, the Democrats get the Senate bill passed while simultaneously coming out against the unpopular features of the same.

YES. All of this is basically motivated by concerns over perceptions and other such cosmetic bullshit. This is all about the House Democrats being scared out of their minds that they’ll have to spend even an hour explaining, “No, we do not approve of the Cornhusker Kickback.” But that’s America, circa 2010. It makes the Democrats look timid, but it doesn’t make them wrong.

This is now the third round of opposition that’s been put before the media ever since the “Slaughter Rule” was first proposed. The first round featured Republicans going nuts about it, on the grounds that it was some sort of unprecedented legislative maneuver. Just like they said about budget reconciliation! Sadly, that doesn’t bear up under scrutiny. As Ryan Grim reports, however, deeming resolutions are pretty darned precedented:

The first time that the chamber used what’s known as a “deeming resolution” — the mechanism Democrats are leaning toward using to pass the Senate health care bill through the House — was March 16, 1933. Then, as now, it involved a bill that had little support in the chamber among individual Democrats, but all of them knew they had to pass it. Very few Democrats want to vote for the Senate version of health care reform, but most are okay with it as long as it’s amended through reconciliation.

Less than two weeks into FDR’s first 100 days, Congress needed to raise its debt ceiling, a ritual vote that hasn’t gotten any easier for the majority party in the intervening 77 years — and is still political fodder for partisan opponents.

Instead of voting on the underlying Senate bill to raise the debt ceiling in 1933, the House voted on Resolution 63, which stated that “immediately upon the adoption of this resolution the bill H.R. 2820, with Senate amendments thereto, be, and the same hereby is, taken from the Speaker’s table to the end that all Senate amendments be, and the same are hereby, agreed to.”

More recently, Grim notes that deeming resolutions were used by Republicans “36 times in 2005 and 2006,” and by Democrats “49 times in 2007 and 2008.”

The second salvo from health care opponents arrived in the form of complaints that Louise Slaughter once opposed the use of her own “Slaughter Rule” on the grounds that it was unconstitutional. As Ezra Klein explains, that’s true:

So today’s furor is that Nancy Pelosi and Louise Slaughter joined Public Citizen in a lawsuit arguing that a bill that George W. Bush signed was invalid because Deem and Pass is unconstitutional. But the court ruled against Public Citizen, Pelosi and Slaughter. Deem and Pass, well, passed. And now Democrats are using it, too.

Of course, the fact that Slaughter learned that deeming resolutions were entirely above board is probably what informed her decision to employ a deeming resolution!

I don’t think anyone captured the baseline of this ongoing back-and-forth raging over parliamentary procedures better than Matt Yglesias, who writes, “Everyone knows that 100 percent of the people who like the underlying health care bill will approve of the use of the procedural mechanisms necessary to enact it, whereas 100 percent of the process-objectors will also be people who don’t like the bill.” It stands to reason that if all the majorities were flipped and the GOP was about to use “Deem And Pass” to get something passed, they’d pull the trigger on it and never look back.

There’s no doubt at all that this legislative obscuranta is confusing. But it’s not impossible to explain, you just have to want to explain it. Unfortunately, the media is doing a terrible job at this task. Per Byron Tau, over at The New Republic:

But the way that some journalists are describing it, you’d think the House Democrats were willing a bill into law by magic. “House may try to pass Senate health-care bill without voting on it,” blared a Washington Post headline. The Post’s only explanation of the tactic came from Nancy Pelosi, who said, “It’s more insider and process-oriented than most people want to know.”
The Wall Street Journal editorial board went even further, beginning their editorial with a cutesy fairy tale setup:

We’re not sure American schools teach civics any more, but once upon a time they taught that under the U.S. Constitution a bill had to pass both the House and Senate to become law. Until this week, that is, when Speaker Nancy Pelosi is moving to merely “deem” that the House has passed the Senate health-care bill and then send it to President Obama to sign anyway.

None of this is new! Does one side want health care and the other side not want health care and nobody wants to compromise? Yay! SHINY HORSE RACE FOR THE MEDIA TO COVER. Who cares if the contention that Nancy Pelosi wants to pass health care reform without a vote is a lie? To the political press, a lie is just an “interesting point of view.”

Please send tips to tv@huffingtonpost.com — learn more about our media monitoring project here.

Know something we don’t? E-mail us at huffpolitics@huffingtonpost.com

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Another One Bites the Dust, Courtesy of Glenn Beck

NopeAfter you watch the three Glenn Beck video clips which describe how the unraveling of this particular little piece of obamanation took place, I am absolutely sure that you will be as outraged as I was. I have been an artist all my life; I went to art school on five different art scholarships, so I happened to take this particular incident very seriously. What I learned about this disturbed me greatly.

In essence, in early August, when it became quite clear that freedom loving patriotic Americans were not about to be marched over by the jack boots of the Obama White House on the Orwellian Obamacare Plan, (which includes RFID chipped national health ID cards, for starters) the White House apparently came up with the bright idea to make a conference call and to enlist some of the brightest talents in the USA arts community to help them “sell” some of Obama’s ideas via creative art, posters, images, video, flyers, et al. Apparently alot of the people called were the same Obama supporters who created the art, and images that helped “sell Obama as Messiah” to voting Americans in 2008. I am assuming the White House thought they would all just love to jump on the post-election campaign bandwagon once again and begin creating politically persuasive art for Obama once more.

Allow me to digress. It is flatly illegal for a sitting President to employ the National Endowment for the Arts in such a manner. The NEA is a public funded taxpayer supported Endowment for the Arts – just as it’s name implies. It IS NOT, I repeat – it IS NOT an organization which should be called upon to visually create political propaganda posters and videos to help a sitting President to sell his legislative plans to a skeptical public. This – like many other schemes which patriots have uncovered taking placed in the nine months since Obama has been elected, just wreaked of socialist / fascist tactics to achieve White House ends. it is something so low I don’t even think George W. Bush would have tried it.

In a stroke of absolute luck, or under the mysterious hand of the Holy Spirit moving in apparent Divine Intervention, one of the artists who was called by the White House began to feel very uncomfortable about being asked to create politically themed art and video for the Obama White House. He discreetly used a high tech Apple gadget to surreptitiously tape record the conference phone call, then went straight to Fox news with the tape recording, The rest is history.

In the three videos below in the article Glenn Beck interviews  the artist and they play back sections of the taped phone call. Notice also what the caller coyly states about” the legality question” RE: putting government websites on Facebook.com and other locations online, and how to talk to one another “safely” – there is an inferred secrecy and illegitimacy in what they were planning that makes me furious. It just re-iterates my gut instinct that the people of this country need to watch Obama and his many Czars nonstop, or they will be behind closed doors doing just the opposite of anything that could remotely be called “transparency in government.”

The Obama White House was gearing up this summer (had this not all fortuitously come out in the open), to go after the young people of this nation with full tilt visual and web political propaganda, by employing their favorite social dating and networking tool to reach them, putting government sites up on Facebook.com which may or may not have even been identified as being government owned.

So what was the goal, or goals, of all this? The Obama White House laid out four target areas of legislation they wanted to have “promoted” for the White House which are detailed in the videos. I would just like to state here – and emphatically so:

It is the not function of the independent American visual or video artist to create political propaganda for any sitting president, especially Barack Obama‘s White House, using public taxpayer monies which support the NEA. What the communications director of the NEA tried to do in that questionable and possibly illegal “secret conference call” was an outrage and every artist in America needs to know about it. This is not the election year all over again. But every time Obama fails to muscle his way through with another socialist Obama-plan that America does not want, he resorts to aggressive election campaign tactics and emotive speeches to try to push it through anyway. We need to stay on red alert with this administration. They have tossed all ethics and protocol out the window, and I believe there is no point too low that they would not stoop to in order to create the socialist country that Obama wants. Mr. Obama is in the wrong country. This is not Venezuela. This is not communist Russia. This is not Cuba.

This is our American republic, and it is going to stay that way if patriots have their way about it.

Chase Hunter 9.13.2009

Glenn Beck's 9/12 Project
Image by MeetTheCrazies via Flickr

Yosi Sergant, Administration Aide

Demoted: Glenn Beck Strikes Again


Read More:

Glenn Beck

UPDATE: The NEA has updated their statement to emphasize that Yosi Sargent remains with the agency, but in a different position: “As regards Yosi Sergant, he has not left the National Endowment for the Arts. He remains with the agency, although not as director of communications.”

Sources familiar with the situation say that the move represents a significant step down and was the result of the controversy. Discussion about his new duties is still ongoing. Glenn Beck has struck again.

Yosi Sergant, who recently popped up on Beck’s radar for his involvement in a conference call on national service, has been asked to resign as communications director by the National Endowment for the Arts, sources familiar with the move tell the Huffington Post.

At issue was an August conference call in which the NEA encouraged select artists to participate in an administration project dubbed “United We Serve” and led by the first lady.

Beck attacked Sergant and the NEA on his Fox News talk show, accusing the agency of propaganda efforts similar to those used by Nazi Germany. And now Sergant has been tossed overboard, making him Beck’s second victim in his campaign to rid the administration of perceived radicals, socialists, communists, fascists, anarchists and all other manner of nefarious influences.

Perhaps not coincidentally, both Sergant and Van Jones – Beck’s first takedown – have roots in on-the-ground organizing and were tightly connected with the grassroots progressive community.

The NEA wouldn’t comment on Sergant’s situation specifically, saying that it was a confidential personnel matter. The White House did not come to Sergant’s defense but says it was not involved in asking him to leave. “The White House did not ask for Mr. Sergant’s resignation,” administration spokesman Shin Inouye told HuffPost.

But the NEA did provide this statement:

“On August tenth, the National Endowment for the Arts participated in a call with arts organizations to inform them of the president’s call to national service. The White House office of public engagement also participated in the call, which provided information on how the Corporation for National and Community Service can assist groups interested in sponsoring service projects or having their members volunteer on other projects. This call was not a means to promote any legislative agenda and any suggestions to that end are simply false. The NEA regularly does outreach to various organizations to inform of the work we are doing and the resources available to them.”

[UPDATE: The NEA adds this line to the statement: “As regards Yosi Sergant, he has not left the National Endowment for the Arts. He remains with the agency, although not as director of communications.” Sources familiar with the situation say that the move represents a significant step down and was the result of the controversy. Discussion about his new duties is still ongoing.]

An artist on the call recorded it and gave the recording to Beck, who played it on air as proof of a government conspiracy to co-opt arts organizations and warp the minds of Americans. “Your government is trying to trick you, use your tax dollars to change your mind. It’s called propaganda. The people involved in the conference call, including the White House, knew that this was on the fence if not outright illegal,” says Beck.

Sergant has a long history with the Obama campaign, having led the media effort for Shepard Fairey, the artist behind the iconic “Hope” portrait that Obama has credited with helping him win. (See this L.A. Weekly profile to get a feel for Sergant.)

On Sept. 1, Beck came after Sergant. After claiming that Nazi propaganda was based on America’s early 20th-century progressive movement, Beck says that the progressives are at it again.

WATCH:

The Corporation for National and Community Service is a public-private partnership created in 1993 with a mission similar to one Obama pressed during his campaign, during which he repeatedly promoted national and community service.

For Beck, however, the service promotion is a specter of totalitarianism and he interviewed an artist who said that he was uncomfortable working in coordination with the White House.

WATCH:

CONTINUED:

The Washington Times editorial page also came after Sergant, asking if the NEA had invited artists to be on the conference call.

“The NEA didn’t invite…We were a participant in a call. It was a third party that did the invitation,” Sergant told the conservative page.

The Times published an invite that Sergant had sent out, saying it had caught him committing “official dishonesty.” It’s a nice gotcha, but would the Bush administration have cut such an aide loose?

Sergant didn’t return a call and the NEA declined to comment further. Press officers with the Corporation for National and Community Service didn’t immediately return calls.

Sergant is, by all accounts, a highly-talented grassroots organizer and promoter, but communications director for the NEA is a position that requires a high level of political dexterity: the arts agency is constantly under fire from extremist activists who see it as propagating a liberal, libertine agenda. The day the culture war is finally declared over, there will still be skirmishes over the NEA.

Beck, however, is now trolling for bigger fish. Shortly after taking out Van Jones, he sent a note to his followers instructing them: “FIND EVERYTHING YOU CAN ON CASS SUNSTEIN, MARK LLOYD AND CAROL BROWNER.”

UPDATE: The initial story about Sergant and the NEA conference call first appeared on the conservative blog Big Hollywood, which is run by Andrew Breitbart, a friend and ally of Matt Drudge, who runs the Drudge Report. Breitbart first ran a blog post by the artist later interviewed by Beck.

Ryan Grim is the author of This Is Your Country On Drugs: The Secret History of Getting High in America

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