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Is Annunaki Global [Faux] Disclosure Taking Place Right Under Our Noses In Popular New British TV Advertisements?
I am always watching what appears on TV and other media for signs of trending imagery and themes that bear an Illuminati influence. In 2011 I have noted several new themes, among them a new alien / Annunaki style of TV media message. There is a specific “double entendre” [ dual meaning ] inferred in the first TV advert below, with imagery and subliminal suggestions that are quite vivid. Listen and watch very carefully, then tell me – what do you think the REAL message is in this advert? It actually has nothing whatsoever to do with the internet. It has very much to do with acclimating the human species to “other” kinds of creatures, far advanced extra-terrestrial creatures who intend to assume some kind of genetic “Lordship,” or more accurately an “over-lordship” of our species in the near future. Humanity must be warned about underlying motives, reasons, purposes, and intents. That is the reason for this essay.
Is the Alien / Annunaki “Disclosure” plot actually tied to the rise of the final Son of Perdition?
I have secretly wondered about this question for years. What better or more perfect way to intimidate an entire world population into hushed and reverent submission than to present genetically superior alien beings to them, who claim to be their deep far distant actual “true genetic creator fathers” – the original olden parent species, the source from where the ruling hybrids descended?
Modern people in the 21st century refer to these Annunaki /human hybrids which were descended from the prehistoric biblical fallen Nephilim as the “elites.” But there is nothing heavenly or holy about these elite dynastic families, trust me. They plague modern humankind like a parasite. They plan our enslavement, they plot our financial demise. They own the currencies that are loaned to the nations. They bring nations to ruin. They live for profit and have no real law but their own greed and avarice. They are not of God. They are the chaff which will be soon separated from God’s good wheat by the angels of the harvest at the end of days.
Humanity has been robbed by these elites, down through the ages, of many urgent and vital facts about our real biological and genetic origins. The “Annunaki story” is being aggressively sold and promoted to mortal men these days as the solution to our current racial and species wide identity crisis. We have been left with a heavily edited and redacted Christian Bible which all good bible scholars well know has many books missing.
We are presented with a mere three years from the treasured life of Christ and yet we are expected to accept this document, the Christian Holy Bible, as the definitive and final “Word of God.” Any Christian who questions anything written in the Bible is still considered a heretic and a sinner. I both read all that I can get my hands on, and I question everything I read, so that must make me an absolute spiritual untouchable. Yet God knows my heart. I want to know the truth. And there are untold millions and millions of others like me, who are tired of living the pretense of a life, with no knowledge why or for what purpose. We were originally designed by God for a much higher destiny than the lives which we find ourselves living in this tragic day and age. This, my soul knows, is true.
In contrast, mystical texts like The Urantia Book – which I have pored over for more than twenty years – presents an elaborate, advanced and sophisticated world and universal spiritual cosmology, a story of our world spiritual history worth learning and remembering. The truth about Adam and Eve, the origins of the actual real Annunaki / Nephilim, and the truthful facts about the Lucifer Rebellion are sobering indeed.
But The Urantia Book text is interlaced with inference that we must all eventually become one uniform racially blended olive skinned people, dissolving our separate national boundaries, living under unified global one world governance. I am opposed to such a government, as I feel that men are not highly spiritually evolved enough to govern in such a way without enslaving human beings in fascism. History will support me here. Witness North Korea, China, the Pol Pot regime, Hitler, Stalin, witness what the United States of America is now become, under Barack Obama.
These bothersome sections of the Urantia Book make it the perfect document to be smoothly intellectually and spiritually usurped and misused by an ambitious Luciferian one world government to justify it’s intentions, even to prop up a global government figurehead who may pretend to be the returned Christ. Nothing is out of the realm of possibility at this point. I neither censor nor edit my own spiritual musings as I watch the days flow by and the plots unfurl.
I watch. The Holy Spirit speaks to me in the dead of night and I watch. I know what I am watching for. God tells me what to watch for. No mortal man or woman knows how much I already know about what to watch for. I have not written down or recorded in any way ninety percent of what I am watching for. Only when my Lord tells me, then I may record it. Tonight I am recording this essay with God’s guidance. It suffices for now.
I reject the Annunaki lie that is being told to the world population in TV, film, video and modern philosophy which is soon to be usurped and misused to further enslave the human race. I want my mortal heritage and my human history back. I want my SPIRITUAL history back. I want to know the truth. I want to rush into the arms of my real and only King, the Lord of all Creation, the Son of God who will deliver this species from the world deception of the liar and the lie, once and for all.
I dream of a new Heaven. I long for a new Earth.
This world is still seized with barbarism and is not ready by any remote means to govern it’s species from one unified world administration. I see one world government as a recipe for disaster and a formula for the rise of the final Son of Perdition. My soul knows that we are all living in the era which just precedes the rise of this horrendous counterfeit Christ – the man of sin.
I well know how a one world government will end at this fateful intersection in human history. Presenting Annunaki genetic parents to the human race as some sort of ploy as distraction or to aid and abet the coming man of sin is not going to change that fact one iota. Too much biblical prophecy has already been fulfilled. My soul is on edge because I see fraud and false spiritual glamor everywhere being peddled as truth, and masses of unknowing TV consumers buying it, lock stock and barrel.
The true and actual literal history of the human race has been stolen from us. I can feel it. We are a mixed and generationally warring species, a mongrel mixed blood race, living in complete historical specie amnesia. Individual persons who have total amnesia can be told anything about who they are, and they will believe it because they have no frame of reference. Likewise, a species who is living in total historical amnesia might be just as vulnerable to sophisticated lies and half truths, as they have no common frame of reference with which to compare what they are being told. Taboo as it is to say it, I must write the words and make the inner thought external: this then, our racial and species wide amnesia about who we are and where we come from, becomes the allegorical moment in human history when “Lucifer’s opportunity” finally comes, to deceive the masses on a world scale.
This is the way in which the man of Sin will enter onto the world stage. He will ride in “peaceably through flatteries” playing upon our deepest hopes and dreams, calling up the far ancient species-wide inner gnawing to know and understand our ancient genetic origins. He will present a lie so sublime, so seamless, so sophisticated and replete, that even the Elect will possibly be fooled by it. He will supposedly give us the answers to all our deepest and most heartfelt longings AS A SPECIES. This is the turnkey to his world deception.
It will all revolve around the Annunaki legends of old.
Chase Kyla Hunter 8.27.2011
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Copyright 2011-3011 Artopia444 All Rights Reserved.
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Copyright 2011-3011 By Artopia 444, All Rights Reserved. Cited article text Copyright Associated Press.
Although Russell largely retired from Hollywood after her final film, 1970’s “Darker Than Amber,” she had remained active in her church, with charitable organizations and with a local singing group until her health began to decline just a couple weeks ago, said her daughter-in-law, Etta Waterfield. She died at her home in Santa Maria.
“She always said I’m going to die in the saddle, I’m not going to sit at home and become an old woman,” Waterfield told The Associated Press. “And that’s exactly what she did, she died in the saddle.”
Video: Hollywood legend Jane Russell dies (on this page)
Hughes, the eccentric billionaire, put her onto the path to stardom when he cast her in “The Outlaw,” a film he fought with censors for nearly a decade to get into wide release.
With her sultry look and glowing sexuality, Russell became a star before she was ever seen by a wide movie audience. The Hughes publicity mill ground out photos of the beauty in low-cut costumes and swim suits, and she became famous, especially as a pinup for World War II GIs.
Then in 1948 she starred opposite Bob Hope in the box-office hit, “The Paleface,” a comedy-western in which Russell was tough-but-sexy Calamity Jane to Hope’s cowardly dentist.
Although her look and her hourglass figure made her the subject of numerous nightclub jokes, unlike Marilyn Monroe, Rita Hayworth and other pinup queens of the era, Russell was untouched by scandal in her personal life. During her Hollywood career she was married to star UCLA and pro football quarterback Bob Waterfield.
“The Outlaw,” although it established her reputation, was beset with trouble from the beginning. Director Howard Hawks, one of Hollywood’s most eminent and autocratic filmmakers, rankled under producer Hughes’ constant suggestions and finally walked out.
“Hughes directed the whole picture — for nine bloody months!” Russell said in 1999.
The film’s rambling, fictional plot featured Russell as a friend of Billy the Kid as he tussles with Doc Holliday and Sheriff Pat Garrett.
It had scattered brief runs in the 1940s, earning scathing reviews. The Los Angeles Times called it “one of the weirdest Western pictures that ever unreeled before the public.”
But Hughes made sure no one overlooked his No. 1 star. The designer of the famous “Spruce Goose” airplane used his engineering skills to make Russell a special bra (which she said she never wore) and he bought the ailing RKO film studio to turn it into a vehicle for her.
Wisely, he also loaned her to Paramount to make “The Paleface,” because at RKO she starred in a series of potboilers such as “His Kind of Woman” (with Robert Mitchum), “Double Dynamite” (Frank Sinatra, Groucho Marx), “The Las Vegas Story” (Victor Mature) and “Macao” (Mitchum again).
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Hughes had rewarded her with a unique 20-year contract paying $1,000 a week, then he sold RKO and quit making movies. Russell continued receiving the weekly fee, but never made another film for Hughes.
Her only other notable film was “Gentlemen Prefer Blondes,” a 1953 musical based on the novel by Anita Loos. She and Monroe teamed up to sing “Two Little Girls From Little Rock” and seek romance in Paris.
At a 2001 film festival appearance, Russell noted that Monroe was five years younger, saying, “It was like working with a little sister.”
She followed that up with the 1954 musical “The French Line,” which like “Gentlemen Prefer Blondes” had her cavorting on an ocean liner. The film was shot in 3-D, and the promotional campaign for it proclaimed “J.R. in 3D. Need we say more?”
In 1955, she made the sequel “Gentlemen Marry Brunettes” (without Monroe) and starred in the Westerns “The Tall Men,” with Clark Gable, and “Foxfire,” with Jeff Chandler. But by the 1960s, her film career had faded.
“Why did I quit movies?” she remarked in 1999. “Because I was getting too old! You couldn’t go on acting in those years if you were an actress over 30.”
She continued to appear in nightclubs, television and musical theater, including a stint on Broadway in Stephen Sondheim‘s “Company.” She formed a singing group with Connie Haines and Beryl Davis, and they made records of gospel songs.
For many years she served as TV spokeswoman for Playtex bras, and in the 1980s she made a few guest appearances in the TV series “The Yellow Rose.”
She was born Ernestine Jane Geraldine Russell on June 21, 1921, in Bemidji, Minn., and the family later moved to the San Fernando Valley in Los Angeles. Her mother was a lay preacher, and she encouraged the family to build a chapel in their back yard.
Despite her mother’s Christian preachings, young Jane had a wild side. She wrote in her 1985 autobiography, “My Paths and Detours,” that during high school she had a back-alley abortion, which may have rendered her unable to bear children.
Her early ambition was to design clothes and houses, but that was postponed until her later years. While working as a receptionist, she was spotted by a movie agent who submitted her photos to Hughes, and she was summoned for a test with Hawks, who was to direct “The Outlaw.”
“There were a lot of other unknowns who were being tested that day,” she recalled in a 1999 Associated Press interview. “I figured Jack Beutel was going to be chosen to play Billy the Kid, so I insisted on being tested with him.”
Both were cast, and three months would pass before she met Hughes. The producer was famous for dating his discoveries as well as numerous Hollywood actresses, but his contract with Russell remained strictly business. Her engagement and 1943 marriage to Waterfield assured that.
She was the leader of the Hollywood Christian Group, a cluster of film people who gathered for Bible study and good works. After experiencing problems in adopting her three children, she founded World Adoption International Agency, which has helped facilitate adoptions of more than 40,000 children from overseas.
She made hundreds of appearances for WAIF and served on the board for 40 years.
As she related in “My Path and Detours,” her life was marked by heartache. Her 24-year marriage to Waterfield ended in bitter divorce in 1968. They had adopted two boys and a girl.
That year she married actor Roger Barrett; three months later he died of a heart attack. In 1978 she married developer John Peoples, and they lived in Sedona, Ariz., and later, Santa Barbara. He died in 1999 of heart failure.
Over the years Russell was also beset by alcoholism.
Always she was able to rebound from troubles by relying on lessons she learned from her Bible-preaching mother.
“Without faith, I never would have made it,” she commented a few months after her third husband’s death. “I don’t know how people can survive all the disasters in their lives if they don’t have any faith, if they don’t know the Lord loves them and cares about them and has another plan.”
Survivors include her children, Thomas K. Waterfield, Tracy Foundas and Robert “Buck” Waterfield, six grandchildren and 10 great-grandchildren.
A public funeral is scheduled March 12 at 11 a.m. at Pacific Christian Church in Santa Maria.
In lieu of flowers the family asks that donations be made in her name to either the Care Net Pregnancy and Resource Center of Santa Maria or the Court Appointed Special Advocates of Santa Barbara County.
© 2011 The Associated Press.
Copyright 2011-3011 By Artopia 444, All Rights Reserved.
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